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Official Seal of Güines
The official Güines seal has an interesting history. Local historians
have maintained, in articles written during the Republican Era, and later
in magazines from Güines in exile, that the original design of the
official seal had been lost. This seal had been made official on August
29, 1775, when neighbors of the township of Los
Güines filed a petition to King Carlos III to grant the township the
title and grace of Villa.
A Villa is a township with privileges that
distinguishes it from aldeas (hamlets), pueblos (villages)
and lugares (small towns). By naming a township
a Villa, the King would grant it the right
to form a Municipal Corporation, a Town Hall, and the right to use an
official seal.
1775
1817
1893 |
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Original design of Güines Seal,
sent, in 1775, by the tobacco growers and farmers to the
King of Spain along with a petition to grant Güines
the rank of Villa. |
This original petition, made by Francisco de Gama and Pedro de
Ayala as Attorneys-In-Fact of the farmers and tobacco growers of
the area said, in part: “To grant
in His discretion the referred grace, ordering to issue the necessary
Edicts… in accordance to the laws of the Kingdom, declaring
for Seal the image of St. Julián, placed on a gold castle
in a field of azure and silver ground, furrowed and planted with
three tobacco plants, green and in flower, with the Royal crown
on its top to show the superior dominion of His Majesty and to
symbolize our devotion to the Patron Saint and we settlers having
earned your Royal protection for the zeal and steadfastness with
which we have dedicated ourselves to the cultivation of a plant
so useful to the Royal treasury… .“ The inclusion
of the tobacco plants in the official seal indicates the importance
that such crop had in the development of the economy of the valley
of Güines in the beginning of its history.
The truth is that later historical research, especially in the
General Archives of the Indies in Seville, indicates that the design
of the seal sent with the petition and approved by King Fernando
VII on October 22, 1817, is the one published with this article,
which is very similar, artistically and conceptually, with the
modern official seal that we all know, as used by the Town Council
and Municipal authorities from 1893 on. The design of what, in
our opinion, was the original official seal, consists of a tower
or castle, and emerging from it, the figure of Saint Julian, Bishop
of Cuenca and Patron Saint of Güines, with the Bishop’s
crosier in his right hand and a branch on his left. There are three
tobacco plants in the seal’s field. Two of them, curiously,
look like they are planted in the air. The colors, like the original
petition requested, were gold castle, field in azure, silver ground
and the plants of tobacco green. Neither the tobacco plants in
flower nor the royal Crown on its top, as requested in the original
petition, were included herewith.
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A more stylized design of the official
Güines Seal. It was used from 1817 to 1842. |
It appears that the original design was used by the Municipal
authorities during the first years after its granting, although
we do not have any documentary evidence of it. A more stylish design,
as utilized afterwards, is illustrated here. |
| 1843 |
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Beginning in 1843, inexplicably, the above design is not used,
and the Mayors of first and second categories in Güines began
to utilize two printed figures, one with trimming and the other
without it, representing a woman with a sword on her right hand
and a scale on her left hand, resting on three books; there was
a lion lying on the right side with his two front paws resting
on each continent; representations of our flora in horizontal stripes
as a background (which is the field in azure explained by the heraldry
laws).
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Güines Seal, with trimming,
used from 1843 until 1862 |
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Güines Seal, without
trimming, used from 1843 until 1862 |
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| 1862 |
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Güines Seal used from 1862
until 1879 |
It is in 1862 when a modified seal from its original design appears
in official documents. The reason for this change is unknown. We
include in this article a copy of the same. It does not have the
figure of Saint Julian. In the tower or castle there is a hoisted
flag. In the esplanade, which takes us to the symbol of the defense,
there are three tobacco plants with flowers. The seal has the shape
of a lance with the crown at its top and tobacco branches at its
ends. Around the exterior area, in oval shape, appears the inscription: “Seal
of the Villa of Güines.” This design remained
in effect until 1879, and that is the way it is shown in the minute
books of the Town Council and in official documents. |
| 1879 |
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Güines Seal, used from March
21, 1879, when Manuel Ocejo Eguía was Mayor until
1893 |
Beginning in 1879, when the Municipal system of government changed
due to the promised laws of the Pact of Zanjón, another
seal is introduced in the official papers and books of the Town
Council. On March 21, 1879, when Don Juan Ocejo Eguía was
Mayor, the new seal appears. It does not have the design or the
tobacco plants with flowers. The seal, also in the shape of a lance,
has a crown on its top and two branches of tobacco at its ends,
and simply has the tower or castle with the flag, and not surrounded
by the legend used in the 1862 seal, but by the new legend “Illustrious
Town Council of Güines” in an azure field and
in oval shape. |
| 1893 |
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Güines Seal, used from 1893 |
This same design, but with Saint Julian, Patron Saint of the Villa,
and having also three tobacco plants, begins to be used with Mayor
Benito Bayer Coll in 1893. |
| Mayor Bayers Era |
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The modern version of Güines seal was cemented during the
era of Mayor Bayer, when they were made into bronze medallions
and worn as necklaces by Councilmen in civic, patriotic, and official
acts. Copy of this medallion published with this article shows
on the front the seal of the Villa and
on the back the legend: “Illustrious
Town Council of Güines.” It is curious to note
that instead of the three tobacco plants, the medallion has three
tobacco flowers. Carved and painted in the furniture and ceiling
of the Town Council of Güines, respectively, was this same
official seal, the only difference being that instead of tobacco
flowers three tobacco plants appeared.
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Front of the medallion worn
by members of the Güines Town Council during the
modern era |
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Back of the medallion worn
by members of the Güines Town Council during the
modern era |
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| Republican Era |
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During our Republican Era, the official seal was the same version
used since 1893, which was kept without changes for over 100 years.
We illustrate herein this modern version as we conclude our article,
due to the talent and artwork of our fellow Güinero,
the late Efrén del Castillo Pérez.
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Güines Seal, in black and white by an unknown artist. |
To the right is a version in black and white, artist
unknown, showing the three tobacco plants in bloom.
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Güines Seal, modern version, by Efrén del Castillo Pérez, artist from Güines. |
To the left, this modern version, in color, was created by our fellow Güinero, the
late Efrén del Castillo Pérez
It shows the figure of Saint Julian emerging from the tower or
castle with the Bishop’s crosier on the right hand and a branch
on his left hand. There are three tobacco plants on the lower field.
The seal is in the shape of a lance with a crown on its top and
two tobacco branches on each end. The colors are the same as those
requested in the original 1775 petition: “Tower
or castle in gold, field in azure, ground in silver and the tobacco
plants in green. The vestments of Saint Julian are purple or violet
in consideration of his status as a Bishop.” |
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Güinero journalist and poet José Rafael
Ramos Trujillo (aka. Ramito)
composed this beautiful décima about
our Seal, freely translated and reproduced herein:
| Our Seal |
| This seal is official |
| in our dear Güines, |
| its precious contents, |
| has a celestial flavor. |
| This seal is peerless, |
| beautifully crowned, |
| and sown with tobacco plants
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| and in a very simple frame, |
| Saint Julian on top of a castle, |
| showing his apostolate. |
We would be remiss in concluding this article without recognizing that
the same has been made with very limited research resources, and that
we are aware that there may be mistakes in the same. We ask our readers
to forgive us and to let us know of any error or discrepancy so we can
amend this article and maintain the historical description as faithful
and exact as possible.
Translated by the staff of Círculo
Güinero de Los Ángeles
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